Get the vintage tone of the old necks by applying thin layers of amber toned finish, until the desired intensity is obtained.

Color based on 1956 Cadillacs and available later in the letter of Chrysler in 1958 A color highly sought after in the old Fender Stratocaster and Telecaster, besides the Mustang like Kurt Cobain (Nirvana)Signature

Nitrocellulose classic black color, a favorite from the beginning until today.

This classic Fender color is darker red catalog. A very nice finish, which if applied to a white primer brings depth.

Pigmented solid metallic finish. Inspired by the 1957 Lincoln`s (Vermont Green). He used between 1960 and 1965, it is not a very common color Fender, so it is highly sought after among collectors.

Although Fender colors based on models of General Motors, the Fiesta network is based on the Ford Thunderbird 56.
The Fiesta Red Fender was used between 1960 and 1969 and has a more orange tone that the Dakota Red.

Finish marketed by Fender guitars in recent years from 60 to 74.
It is a yellow-cream finish varies substantially depending on the manufacturing time Fender.
It is an opaque color pigment usually applied on a white base. It is necessary to apply a final coat of finish to protect and give depth to the color.

Classic finish GRAFFITI YELLOW FENDER. This color is not very common in Fender finishes but live is spectacular.. Give a different touch to your guitar. Well with maple fingerboard and white pickguards

Color highly sought after and little used by Fender, a strong pink with nice orange tones. Fender usually combines this body color painting also shovel the same color (Matching Headstock)

It is one of the most popular collectors Fender Stratocaster and widely used in colors. Inspired by Cadillac Brougham. It is a color that changes due to its metallic depending on the shape of the guitar, a metallic medium blue to dark blue.

Used by Fender from 1960 to 1969.
It is a color widely used in Stratocaster and Telecaster, is more intense than the Surf Green tone.

It’s probably the weirdest color Fender, used only in 1956 and later replaced by Candy Apple Red.
Goes well with white pickguard and maple and rosewood fingerboard both Stratocaster and Telecaster.

 Color inspired by the famous ’56 Chevy car. Used by Fender in the 60’s Stratocaster especially in white pickguard..

Finish marketed by Fender guitars in recent years from 60 to 74.It is a yellow-cream finish varies substantially depending on the manufacturing time Fender. It is an opaque color pigment usually applied on a white base.

White with a hint of grayish blue. A very popular color used Fender inspired by the Cadillac manufactured from 1958 to 1962.

Finishing classic Fender Hot Rod Red. This color is 10% -15% more intense than the Red Torino.

 A red little seen but very nice, halfway between the hot network and the network dakota. Goes well with white pick guards and maple and rosewood. Used in classical guitars like Fender Eric Clapton Signature like.

Sometimes also called Classic White Gibson. It is advisable to apply a finish to protect the color and give depth.

Cream more intense than the CREAM with a slight pink hue.It is advisable to apply a finish to protect the color and give depth.

Pale “custard” yellow normally used in the Les Paul Jr, but looks good in any model of Gibson and even other models of guitars.
It is advisable to apply a finish to protect the color and give depth.

Appearance transparent color, reveals the grain of the wood. You can enhance the look of the grain with grain filler black or black dye, you can find in our store. The secret lies in the application of thin layers based matching finish, until the hue and desired concentration.It is recommended to protect end color brightness and give depth.

Classic color deep blue. Used both Gibson SG and Les Paul

Classic white finish, also called by Gibson “Alpine White” It is advisable to apply a finish to protect the color and give depth.

Cherry classic solid color, widely used by Gibson

This color was originally introduced in 1952 by Fender and is completely linked to the telecaster. It is a semipigment color depending on the number of layers shall spring grain or so.

Get the vintage tone of the old necks by applying thin layers of amber toned finish, until the desired intensity is obtained.

This color was first used by Fender in 63 and is inspired by the layer of sugar candied apples. It was Leo Fender’s favorite color.
Candy Apple Red The effect is achieved by applying metal particles of silver or gold color toned before. In this case the color will not apply opaque (solid), but will be semitransparent to reveal the metal particle below.
The products to be applied before finishing Trans Candy Apple Red are SilverSparkle or  Gold

The name comes from the feminist association of Hawaii Mary Kaye following a promotional ad in which appeared this finish guitar, widely used in the 50’s and 60’s. You can enhance the look of the grain with grain black filler, you can find in our store. Formulated and sprayable The secret lies in the application of thin layers based matching finish, until the hue and desired concentration.

Suitable as a final finish or previous layer translucent finish to give a metallic effect.
It is essential to end to protect the metallic shine and give depth to the finish.
It is a finish that is not usually done in production Fender, especially in regular and exclusive Fender Custom Shop guitars like Dick Dale Signature Stratocaster or the famous Bonamassa.

Semi translucent blue finish pigmented reveals the grain of the wood.
Get highlight the grain or flamed top of your guitar by applying a black dye crankpin or gun and then sanding to leave marked only the grain.
Blue translucent finish let see the grain or flamed dark cap and give the desired effect.
The secret lies in the application of thin layers based matching finish, until the hue and desired concentration.

Colorless nitro lacquer that applying on any color develops a fine and smooth pearlescent effect.

It is softer than the Gold Top and similar to the color “champagne” color. Inspired by the Pontiac 1959 and used by Fender from 1960 to 1965.

Introduced in 1952, the Les Paul until 1955, the GoldTop is one of the classic finishes Gibson par excellence and preferred by many of his collectors, along with the sunburst of ’59.

High intensity black finish. Used mainly in models like the Les Paul Custom “Black Beauty”. Combined with gold hardware brings a unique elegance to the guitar..

Color with metallic effect. This color has a light blue tone / greyish widely used in Les Paul and SG

Its a classic Fender color dated from 1959. Very exclusive, In the 1960s, most of the electric guitar players were men, and so Burgundy Mist Metallic along with pastel shades like Shell Pink proved to be less popular, because of its rarity.

It is a metallic color with a finer metallic grain than the silversparkle. Normally it is also applied as a base for the candy apple red or semi-plastered finishes to give the metallic finish.This color works much better on a white base and it is essential to apply a gloss finish to protect the color and give depth to the finish.

Classic Fender DAPHNE BLUE finish. Used by Fender from 1960 to 1965 and inspired by the 1958 Cadillac. Slightly darker than Sonic Blue. It is advisable to apply a finish to protect the color and give depth.

Classic Fender Faded Sonic Blue finish. It is a less intense color than Sonic Blue. Widely used in Fender Custom Shop

Fender introduced the Candy Tangerine color to its guitars from 2002 on. Widely used by the Fender Custom Shop in Relic work. Inspired by the Candy colors of Hot Rod and Custom cars.

Candy Tangerine is a translucent orange to make a bilayer process, you must apply a metallic base prior to color. This base is usually made in a gold color , although a silver can also be used.

Toned nitrocellulose varnish, slightly more orangey than Amber Vintage, offering a natural tone in the first coats and close to the Fender masts of the 70’s when more product is applied.

The Ocean Turquoise Metallic fur name used by Ford on its Mustang model in 1962. Used by fender in the 60s on both telecasters and stratos and Jaguars. Metallic bluish color with greenish touches. Over time the green is accentuated due to the yellowing of nitrocellulose.

Metallic copper color. Fender originally applied this color for the first time on the ’52 Esquire telecaster. Later it has been used in exclusive models and in custom shops.

The Ocean Turquoise Metallic fur name used by Ford on its Mustang model in 1962. Used by fender in the 60s on both telecasters and stratos and Jaguars. Metallic bluish color with greenish touches. Over time the green is accentuated due to the yellowing of nitrocellulose. Widely used with tortoise pickups and rosewood fingerboard.

Oxford Gray color shows one of those car colors, never before seen on a Gibson Custom instrument, resulting in a bold and beautiful vision from Gibson.

Desert Sand is a very light, very unsaturated reddish yellow color similar to the coloration of sand. It can also be defined as a deep shade of beige. Desert Sand was used by General Motors as a paint color for their first Cadillacs.

The Orange Capri color is based on the Ford color chart of the 70’s, specifically on the Ford Capri.

The Fender Blue Ice Metallic color is a very rare color in Fender, used in the mid 60’s in Telecaster and Jazzmaster guitars mainly and in some Stratocaster. It is an “ice” blue color, with the years the tone changes to greenish due to the yellowing of the aging of the nitrocellulose. A color that leaves no one indifferent because of its exclusivity.

The Firemist Gold color went on sale in 1964 at GM/Cadillac under the name Firemist Saddle, later modified to Saddle Firemist in 1965. Fender renamed it Firemist Gold to make it more descriptive, as it was used from 1965 onwards to replace Shoreline Gold.

The original name of this color is Teal and the suffix “Green” was added by Fender. It first appeared in 1962 on Ford/Lincoln cars as Riviera Turquoise Metallic, and on Ford Thunderbirds as Patrician Green.

Fender Charcoal Frost was a color used on Lincoln Continentals from 1965 to 1966, and also on the 1965 Ford Thunderbird. Fender adopted it into their catalog starting in ’65 and as it ages it pulls gray-green. The aging can be imitated with a coat of Amber Vintage.